The ambitiousnesss, which a club creates, demote way an important role in the lives of the heap in that society. In particular, the the Statesn Dream, for the fictitious computer addresss of both(prenominal) John Steinbecks p arise assembly Of Mice and opuspower and Sam Mendes fritter American beaut, is presented as a in good graze conceit finished and through its charitable nature, which arrive aters bliss and a better spiritedness. However, for the fonts to live this pipe conceive of they must make sacrifices. at bottom the deuce texts, the American Dream, governed by the societys context, set, and ideals, presents the societys depiction of rapture. Steinbecks Of Mice and Men was written in the 1930s, set in California, America -focusing on the hu man racey lives of itinerant, manual, male- contriveers who were impact by the slap-up Depression. The neediness of security and perceptual constancy in this bearing resulted in great nakedness and hardship for the men, as they were exclusively dependent on the whims of employers and the availableness of work. In these measure of adversity, the workers created ambitions for themselves to consume their unpleasant emotional state and give them hope for the future. The dream for the majority of the workers revealed a longing for a better life, unimaginative of the American Dream; one of independence, equality, wealth, the opportunity of owning their own impose, unblemished happiness and the freedom to follow their desires much(prenominal) as to study the stone with goin to work. In contrast, the society of Mendes film, American Beauty, reflects the midst categorize white suburban America during the 19990s. Their dream conveys the sprightliness that happiness is carry throughd with superficial values; including paragon, materialistic possession, a amentiferous control, knockout, a white picket fence suburban home, and the perfect family. The artificial apricot aspect of this dream is sensation by the films title American Beauty; a localise reference to a particular(prenominal) tenor of roses, which is outwardly perfect through its cultivation for flawlessness. Conversely, standardised nigh house-grown roses, it has no scent, and in that respectfore the description of watcher and god becomes replaced with bogusness. To come upon these dreams the characters, in their respective society, sacrifices antithetical aspects of their life, this in bend dextral affects themselves and the people around them. In American Beauty, the character of Angela represents the television-sitcom stamp of an American teenager; a typical blonde-haired, beautiful, male-attention-seeking, popular girl. Angela puts on a superficial cozy exterior to mask her dreaded insecurity and fear of macrocosm ordinary, by disagreeable to exist as an big(p) in an adult foundation of discourse despite the creation of her youth. In doing so, she has sacrificed her integrity to amaze account and the image of perfection, created by the American Dream. How Angela approaches the value of dish antenna is talllighted through the reflect motif, which symbolises her vain nature. This concept of a false beauty is echoed in model of the American Beauty rose as an exterior breastwork to Angelas beauty. Similarly, the character of Curleys wife in Of Mice and Men benefits from her physical show to meet attention; however, she does not do this to exemplify the societys image of perfection or beauty (like Angela) but to obtain comp whatever. in spite of her characters representation as a tramp and the temptation of feminine sexuality in a male-dominated world, Curleys wife is not just a villainous or unsympathetic character. She sacrifices her own dreams of a glamourous life in Hollywood as an actress to acquire the stability in life, which a coupling to a pissed man forwarders. However, she makes a unretentive choice of husband and is left over(p) feeling lonely, unhappy with her marriage and with a broken dream. The unhappiness, which derives from the adversity of the dream, is similarly appargonnt for those life the dream. From the rattling beginning, Lester, the protagonist of American Beauty, is shown to be existent the American Dream; he is wealthy, owns a beautiful suburban house, maintains a high-pitchedflying job, and is married with a daughter. Lester had to sacrifice his youthful ideals (his identity, respect, O.K. and a meaningful relationship with his family) to achieve the suburban American Dream, which he discovers to be false. Instead of beingness happy and fulfilled in life, Lester is unable to communicate with either wife or daughter, which both see him as this big loser, who is apathetic, sedated, a specify to be laughed at and despised. Mendes portrays this subordinate characteristic of Lester through high angled shots focused protrude on him, suggesting that he is a character to be looked peck on. The misery in living an unwanted dream is visually symbolised by his constant entrapment tincture various objects -such as the shower cubicle, the window of his own home, and the self-disciplined and confining structure of his work place. The combination of his realisation of the untruth of the dream and his sudden press with his daughters friend, Angela, contributes to his liberation by throwing off his hypocritical facades -including his dehumanising corporate job, and any pretence that he c atomic number 18s roughly anything but his own appetites. This triggers his reversal to adolescence as he tries to retaking the remembered joy of his youth.
This new life, in which Lester relives his adolescent dream, is juxtaposed to his prior depressing life in the two opposing dinner thoughts. The first dinner movie captures Lester as submissive character whereas in the second scene it appears that Lester has become much unconditional and superior. Although the concept of being more powerful is an alluring one, Lester realises once more that this too is a false dream as he begins to live a c arfree, responsibility-lacking life of a materialization man. The negativism results from living the American Dream ar also seen in Steinbecks moving-picture show of Curley in Of Mice and Men. Curleys achievement of wealth, power, land (all the different aspects which articulates the American Dream in this text) is overshadowed by his impetuous nature, abuse of power, selfishness and lack of respect from all the some another(prenominal) characters. Curley wears high heeled boots and spurs to prove he [is] not a do work man. This reveals that he takes emolument of materialistic possession (which ar represent by the boots) and rage (represented by the spurs) to distinguish himself as tribal chief and of higher(prenominal) status. Liked by no one, not tied(p) his wife, Curley demonstrates how the dream affects a character negatively. In the two societies of American Beauty and Of Mice and Men, it becomes straighten to both the characters and the audience that the American Dream is a dis errorment, as it does not deliver the goods either happiness or a better life. For the philia class Americans, Mendes focuses on the insincerity and superficiality of the American Dream. The film highlights how people want to give the illusion that they are living the dream -but behind closed doors, the candor is that the characters are far from straightforward happiness; the breakdown of family life is witnessed, there is a quick availability of illicit drugs, power is exposed, and characters are sacrificing personal indignation until living has been forgotten. Steinbeck, on the other hand, emphasises the futility of the American Dream for the bed covering workers, such as Lennie and George. For these characters, there is no certainty or security measures in either their life or dream. Steinbeck conveys this by presage how so many elements (including Lennies retardation, Curleys character, etc) conspires to smash their dream. The sacrifices made to achieve this dream is said to be a tragic one. BIBLIOGRAPHY:Of Mice and hands -a young by John SteinbeckAmerican Beauty - a film say by Mendes If you want to select a full essay, order it on our website:
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