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Wednesday, January 11, 2017

Prejudice in The Hurricane and Knife\'s Edge

In its simplexst form, we consider of prejudice in name of race, culture, or religion. However, the word, prejudice has a much deeper significance and preponderance in the world. Prejudice, a preconceive opinion that is not ground on reason, or developed experience means, pre-judgement. Throughout the twenty-first century, the prevalence of to a greater extent naked forms of prejudice have diminished, and more subtle forms have make believen its place. Prejudice itself is convoluted and tall(prenominal) to resolve, but a countless books, short stories, movies, articles, and websites have been practice to raising aw arness of different types of prejudice, and how it can be dealt with. The Hurricane, by Nor bit Jewison, and, Knifes Edge, by Malorie Blackman, are 2 examples of texts associated with prejudicial topics. \nThroughout, The Hurricane, Jewison uses simple techniques in complex context, in order to communicate the key message. Non-diegetic sound plays a large(p) part in the film, with it world used to add forcefulness to scenes. Jewison uses live footage, and protest songs to unify with the sense of hearing, and demonstrate the overall self-regard that the film holds. The key use of non-diegetic sound can be seen in the effectuation of cork Dylans song, The Hurricane, that was written at the while of the incident. The language used in Bob Dylans song, is in truth emotional and blunt. An innocent man in a financial backing hell, When a cop pulled him...Just corresponding the era before and the time before that, the use of emotive language in the song, makes the audience plea for Rubins innocence, and take his side throughout the movie. The overall aim of Jewison, through the implementation of diegetic sound, is to carry a marrow that would not have been award just in the visuals of the film. \nUnlike, The Hurricane, Malorie Blackmans, Knifes Edge, is a touch more drear and insidious. Its dark light shines upon the fond mean ing of prejudice. The confrontation ...

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