A Beautiful Mind Characterization and Dialogue

Writing Portfolio The 2001 biopic/drama shoot down A pulchritudinous Mind, directed by Ron Howard is a prime example of a text in which opthalmic and communicatory proficiencys atomic number 18 used to break the disposition of a percentage. An classic job for the earthaging manager of any film is to establish a framework and spirit for the protagonist. A Beautiful Mind is no different, and visual and verbal techniques are used effectively to develop the temperament of throne Nash.But because Ron Howard is dealing with a very complex part in the form of a insane schizoid mathematician, his genius is forever changing and the differing film techniques achieve this. As this film is a biopic/drama drawn into one, the spectator follows Nashs life over a deed of years. Nash faces many tricky dilemmas and the way he deals with these situations are conveyed to the audience, using these film techniques. Nash (who is depicted by Russell Crowe) changes drastic in ally throu ghout the text, because he suffers from paranoid schizophrenic disorder.Director Ron Howard uses the technique of characterisation to lodge his personality in different ways. passim the text, the viewer is introduced to several imaginary characters, who are in fact semblanceal figures created by Nash. The first component of the characterisation technique is when director Ron Howard chooses to introduce these characters. Often injected at great times of stress for Nash, the delusion characters normally create get along repugn between Nash and his real life companions.An measur undefended stage of the text is erect later on the climax, where Howard chooses to include and remove Nashs scoop friend Charles (in the form of the doer). Nash is preparing a lav for his baby son, while married woman Alicia is removed tending to the washing outside. But because Nash suffers from schizophrenia, he is psychoneurotic and believes his friend Charles is watching the baby. For the vi ewer, all that is witnessed is the baby lying in the bath, crying(a) its lungs out as wet seeps over its head. Nashs personality is unquestionable negatively in this scene. For the viewer, Nash is developed negatively because of these delusions.The delusions put his baby sons life at risk, and alike cause a further rift between Nash and his wife Alicia. In earlier scenes, Nashs friend Charles was in fact present to the viewer in the form of the actor (portrayed by capital of Minnesota Bettany). The effort to include the actor in these earlier scenes is a bid by the director to create the same naturalism for Nash, as for the audience. But in later scenes, the removal of Bettany and other cast members changes the viewers perspective of this protagonist. As the actor is no semipermanent present, the viewer is squeeze to side with Alicia in thinking tin Nash is delusional.The viewer here, is easily able to block point the affects that paranoid schizophrenia has on Nash, and oth er sufferers of that disorder. Characterisation is important, as in these later scene his personality is changed into a very confused man. The confident, charming and innate(predicate) John Nash of Princeton University is instantly transformed personality due to the including and removing of key characters. These key characters not only include Charles, but also his niece Marcee and Special Forces Operative William Pacher. Dialogue is another(prenominal) technique (this time verbal) which is important in developing the personality of character John Nash.Director Ron Howeard opts to portray Nash as an arrogant and haughty outsider in the opening scenes of the film. During these stages, colloquy is crucial to develop this personality. There crucial be some mathematical shape for how bad that tie is, Nash statesto a mate student on his first twenty-four hours at Princeton. While later, he criticises his co-recipient comprehension winner Martin Hansen by announcing There isnt o ne seminal or ripe supposition in either of his pre-prints. These quotes are just two extracts of chat from the early(a) scenes of the text which develop this arrogant and insulting personality.As the text continues and his problems with schizophrenia are developed, the idea of Nash cosmos an outsider is put in place. Another form of conference is important in the closing scenes of the text. Nashs personality has transformed remarkably from his younger days. In his elder years, he is back commandment at Princeton. Nash is a more than much mellow man in these scenes and converse is once again used as a technique to develop this personality. After being nominated for the Nobel Prize, Nash concludes during his reception speech. Perhaps its good to have a gorgeous mind, but its an even great make to discover a elegant brass.This piece of dialogue is essential in meditateing the much mellow character that Ron Howard chooses to develop. In earlier scens, Nash is arrogan t, supercilious and pre-occupied to compute an innovative maths formula. Combined with his schizophrenia, this results in Nash being regarded as an outsider. In these times, he is greatly supported by his wife Alicia, as she deals with his mental disorder also. By Nash saying an even greater gift is to have a beautiful heart, proves that does identify the most important issue in life, which is his family.His eternal love for Alicia and their son, is more important than solving mathematical formulas, and his dialogue re-iterates this changed persona. No longer is Nash a scornful outsider, and his great love for Alicia (in which he again displays) is seen more favourably by the viewing audience of the text and develops a nicer personality of Nash. each respect to Russell Crowe, who portrays the life of a paranoid schizophrenic fantastically, its the crucial visual and verbal techniques implemented by the director that implement this. Nashs personality is move and he is presented as dangerous during the bath scene with his son.By the removal of actors playing the delusional characters in the film, the viewer is truly able to see how disdurbed Nash is because of his unwellness. While the dialogue is unsed in the opening an clothing scenes to change Nashs personality from an outsider, to a more open and affectionate man. Nashs personality in the earlier scenes, is probably related to schizophrenia in general. People who suffer from the illness are often felt completely and compainionless. Ron Howards ability to truly reflect the persona of a PSD sufferer is important. In later scenes, Nash is drastically changed and no longer scene as an outsider.This transformed personality is the result of careful and meaningful dialogue in the test. This would relate to Nash being much softer in the closing scenes towards both his simple and the wider society he lives in. This re-iterates the importance of run-in techniques and how they can be used to fate a characters position amongst a community. Nash who in the beginning is established as an outsider, becomes a much more balanced man , involved in the Princeton community. Dialogue is just one of these techniques used to develop the character of John Nash effectively.